polychroniadis:

“Our narrative is modernity, and our dystopias are the super-planned, re-planned and unplanned environments of the modern world. ”

polychroniadis:

“Our narrative is modernity, and our dystopias are the super-planned, re-planned and unplanned environments of the modern world. ”

(via thanatoseros)

Colored Eggs. Spring 2012.


I had never colored an egg. Venezuelans celebrate Easter at the beach, and at my own house we stuffed ourselves with too much matzoh, and eggs too. This was a pretty awesome experience, specially because we used a Rumanian technique to color them. 

Poster Design for Water, an Itinerant Exhibit. Collage & Photoshop. Spring 2012

Poster Design for Water, an Itinerant Exhibit. Collage & Photoshop. Spring 2012

Brooklyn Botanic Garden. Digital Photographs. 2012.

Though full of green and colorful reminders of the passing of time, warm and moist greenhouses somehow feel like places where time has stopped. 

The little “Spinal Tap” moment at Bjork’s Biophilia show in NYC. The electric sound does come from the thunder machine Tesla Coil. Her music is so complex, just like her live shows. She is truly incomparable. 

#inspiration

Fabienne’s work is so amazing. 
#inspiration
antonioladrillo:

Fabienne Verdier

Fabienne’s work is so amazing. 

#inspiration

antonioladrillo:

Fabienne Verdier

(via punica-granatum-nana)

Warmth and sensibility through the Japanese Ofuro - My new blog post.

Tobia Scarpa Celestia - 1982. Linen fabric & powder coated aluminum. Beauty!
#inspiration #lighting

Tobia Scarpa Celestia - 1982. Linen fabric & powder coated aluminum. Beauty!

#inspiration #lighting

It happens too often. #inspiration
cordisre:

nevver: Some imperatives

It happens too often. #inspiration

cordisre:

nevverSome imperatives

Fragments. Plaster. 2012.